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Progress

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The poem Progress by Mark Anderson Smith with a greyscale background of a wooden grid

I wrote last week that I was setting a new target to write 5,000 words a day.

Why do I do this to myself?

The results are in. I think I managed a thousand words one day that first half week, then I’ve managed 4,790 this week.

That’s not even a fifth of what I’d imagined might be possible.

I think it’s okay though. I’ve written several new scenes and expanded on both the character and plot for a main character in this new season. I’ve also broken out my initial synopsis and plan, using Scrivener, so that every key scene I’ve planned is in order, so that it will be easier to focus on a specific character’s story while writing.

If you are interested, after splitting out the synopsis and looking at what I feel I can actually use from my initial writing, and including the scenes written this week, I now have 30,292 words. My goal for Season Two is 120,000 words which would give 6 20K episodes. A bit shorter than Fallen Warriors, but with my publishers hat on, cheaper to print!

Since I started using Scrivener, I’ve found it really helpful for dealing with the complexity of the stories I want to tell. I can group scenes by chapters and by episodes, keeping the TV theme I’m using for the Fallen Warriors series. I can search for a character name and filter so that only scenes where they appear are shown. This allows me to read through their story and check I’ve covered everything I need to happen. Also so I can check their story is consistent all the way through.

I can add notes to each scene so i can remember why I wrote something, or add hyperlinks to research I’ve done. I can backup each scene individually as many times as I want. And I’m probably not even scratching the surface of what the application is capable of.

I’m still aiming to work up to 5,000 words a day, but am conscious that might not be possible unless I try something radical like switching to dictation. I’ve been looking into Dragon speech to text software, but at £350 for the professional edition which allows you to record and transcribe later, I’m hesitant to shell out that cash.

I think 2,000 words a day might be a more realistic daily target for the next month as another issue I’m facing is that I need to spend time setting up marketing and promotion of my next book: Double Your Salary. There is no point in publishing a book if I don’t make an effort to promote it, and it makes a lot of sense to start that promotion now.

I’ve been able to look at what writing 2,000 words a day might mean. I could finish the first draft of Fallen Warriors Season Two by mid August. That might then allow me to edit and ready for publication by Christmas, or if not, the three year anniversary of Season One’s publication date.

I would be happy with that.

I thank God for the progress I’ve been able to make. I’m conscious I’m still not really well. Finished the course of antibiotics, but am still coughing and my sinuses are full. If I could complete 10,000 words over next week, I would be delighted with that, especially if at the same time, I’m able to make progress towards promoting Double Your Salary.

I would appreciate your prayers.

Progress

I tell myself
my novel is a book
made up of words.
The first word
followed by another,
each word building
on the words before,
creating something of beauty,
of purpose,
of insight.
The novel does not yet exist.
But it will,
if I keep writing,
one word at a time,
until it is finished.

Copyright 2019 Mark Anderson Smith

Making sense of chaos with Scrivener

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I switched over to using Scrivener as a tool for writing and editing books a couple of years ago. It’s taken me a while to get familiar with the interface, but I stuck with it as it seems to be a much more suitable environment for editing complex stories than my previous favourite: Microsoft Word.

I took one of the Scrivener for beginners courses a while back and noted it should be capable of enabling you to keep track of which scenes contain characters and locations, but at the time, couldn’t get my head round how to actually do that.

I should have made more of an effort to learn how! Fallen Warriors has an element of complexity to rival a standard Tom Clancy. A dozen characters in multiple locations with events happening simultaneously. It was a struggle to keep track of what was going on.

I resorted to sticky notes, spreadsheets and elbox grease to get the novel completed, but was determined that I would suss out how to use some of the more advanced Scrivener features.

Tagging characters and locations in a scrivener scene

I’m indebted to Rog (@pigfender) for his post: Tracking characters with Scrivener keywords

It’s actually really easy to do and I’ve started tagging characters and locations in the scenes I’ve written for the Fallen Warriors sequel.

I won’t rehash the pigfender post here as Rog does a really good job of explaining it, but here’s some insight into how I’m actually following his instructions:

I needed to do two things to make this work, first add a tag for each character who appears in a scene and one for the location(s) in the scene to the Document notes section of the Inspector window:

And also create Project Keywords (from the Project menu) to match those tags exactly:

Now, if you’ve read Fallen Warriors then you might notice a couple of reveals in the pictures above… Shhhh (I’ve blanked out the working title as I’m still not fully sure if I will use it.)

The really cool bit is once you’ve got that all in place, to find all the scenes with a character or multiple characters in them, you can search and you get those scenes back… In order!

This is really helpful for me for so many reasons. One of my characters full name and title is: Detective Inspector Daniel Martin. But he is referred to as Danny, as DI Martin, as Daniel etc. By setting up the tags, I can search using one term and always find him.

Take a look at this clipping from my Scrivener Fallen Warriors manuscript

Now, I don’t want to give too much away from either book in case you’ve not read the first and certainly don’t want to give any plot away from the second, but I set up some keywords in my first manuscript and then did a search for “Emma_Present” – this is what was returned:

I reveal these events in the book description, so hopefully no spoilers there!

If you haven’t struggled to find characters in a long manuscript this maybe won’t be as exciting as I find it, but just getting those three results back is amazing for me. I spent hours each week for weeks just having to find where I’d written about a character. This is a game changer for me!

How do you make sense of the complexity in your books?